Regan Wang

“Thank you so much for the letter. The letter looks fantastic. I will film the videos this week and I will send it to you once I finish editing it.

“I have made a promise with my mom to cook you a dish once we stop by Toronto to visit my sister. If you have a favorite Chinese dish, please let me know. My mom also wants me to tell you she really appreciates your help for the last couple of months.

“For Now, I am just going to work on my application for universities and I will let you know the result once it comes out. After I am finished with my applications or after quarantine, I would love to book sessions with you for the demo reel to work on my portfolio. That's it for now John, have a great night!”

- Regan Wang

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Elie Gemael

“I appreciate that, I value your input a lot as you are a big part of my development as an actor and as a person. Today went well, I continued to try to incorporate some of the things we talked about. Some takes were better than others, so it goes. In general things went well as the director did a big ‘yesss’ gesture after one of my takes. It’s funny because as you said he likes the more intense version of the character. Tomorrow is another day and I will keep trying to do my best. Thanks again for all your help.”

- Elie Gemael

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In response to "Planned Responses"

“John, thank you so much for this incredibly useful piece of guidance. I have been using this strategy and suggesting it to others for a while, but just in daily life. There are many times when I’m heading into situations where I’m nervous, inexperienced, or even terrified of abuse based on past experience. I’ve even gone so far as to have sentence stems or phrases written down in my notebook when I go into a meeting so that I’m ready.

“My husband has often said that I say yes far too easily. I agree to do things before really thinking it through and I’ve been burned. He has coached me to say ‘I’ll look into that and I’ll get back to you’ ‘I’ll give that some thought’ or something like that to kick it down the road and then discuss it with him. Some of the hardest things to manage for me are surprising/incomprehensible director’s directions in auditions or in work.”

In response to “Planned Responses

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Jillian Welsh

“John, I love this, so much.

“I remember how hard it was to say, 'I am an Actor' at first- even up to a few years ago. Especially while I was waiting tables. I liked remembering this, because this 'I am a good actor' step feels hard in the same way. It's amazing how hard it feels.I understand it on paper, and on paper I agree, but to understand it in my core, believe it with my knowing? It's a step for sure. At times, like with a "bad" audition, like the one I am still recovering from, this idea of 'good' gets beat up inside me, I don't feel 'good' who was I to say 'good'.

“I think maybe it's about letting go of 'perfection' and accepting 'good' as your baseline. Knowing that you are 'good', you will always continue to pursue 'great', you are not immune to failure, you are still learning, but the baseline is 'good', and now that is where you are starting from.

“Thank you for this.

“I just said it, and it felt better than yesterday :)”

- Jillian Welsh, in response to “I’m a good actor

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Alexandera Yetman

“One day, my acting coach John says, ‘Alexandera, I have homework for you.’ I eagerly awaited, as I could see he had it all figured out. ‘I want you to enrol in the school of nothing.’ John is a perplexing man at times. He likes to ask you questions, and just stare at you for an eternity while you writhe in your chair trying to figure out what the hell he’s getting at. He just sits there and says, “Hmmm, hmmm, hmmm,” in a variety of different tones until he finally puts you out of your misery, and sheds some light. Though once you get John, you realize he is magic. He has a profound understanding of the human condition. He explains that the school of nothing is actually not nothing, but it is really something. I must have looked utterly stunned, as he didn’t hesitate this time to clarify. He said he wanted me to take the scene, go home, read it once, determine what the situation of the scene is, then put the scene away. Do not look at it again until next class. I was terrified. How can I play the scene without memorizing the words and studying the beats? I think he was enjoying my terror, as he then added that he wanted me to do this for the next six months! I hesitantly agreed to his terms. Doing nothing was scary at first, but as time went on it became second nature. I began to really loose myself in the situations, and play in them truthfully. It reminded me of a Thomas Troward book I read, impressing that we should touch things lightly. By year end, I received an email from John telling me that I was finally on the right side of the river. He congratulated me for fighting the good fight, and winning. I printed it out, and it sits magnetized to my refrigerator to remind me what I am capable of.”

- Alexandera Yetman

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Matt Hilliard-Forde

"The support that the centre gives, infrastructure the Centre provides makes the process so much easier & more tangible that has been my experience Relationsips John has b/c of career in industry. The collaborative nature of it all. Opportunity to work w/ the teens & the young company at the summer teen cmap gives whole sense of essential continuity."

- Matt Hilliard-Forde

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John Bell

"Been years since I played like that. Reminded me why I chose this life, suffered all the rejection, and kept on trying. There is a payoff. Capture the great moments and put them in your pocket and bring them out when you need them. I would do this again in a heartbeat. I think every director should take the workshop. Even the very experienced. It’s a perceptive and practical window on the actor’s process and preparation. I felt like a kid again."

- John Bell

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