To the close up.

They say the close-up is the money shot.

In television it certainly is the size we see most. Talking heads, they call it.

Learn to use the time of rehearsal, blocking, master and medium shots to choose what you’ll do in the close-up.

Note where an emotional connection produces a move that will play well in the tight shot. A move, a tilt of the head, a glance that makes your point. You’ll learn there’s enough time prior to the close-up to get yourself ready for it. 

Realize that they won’t use much of the master or medium sizes. So, those setups are good rehearsal time.

You don’t want to be surprised when the close-up comes and you’re playing too big.