The actor in class is a nice Ontario boy, but he’s playing a character who’s a man.

There’s a difference between a boy and a man. Between a girl and a woman. As an actor you need to know if your character is behaving like one or the other.

Both are useful.

Ole Gunnar Solskjaer, the manager …

Some words are written to be read and some words are written to be said.

When we say, ‘Let’s read the scene.’ we mean, let’s speak it - let’s play it.

Text is written in words and you can get diverted when asked to read by …

That’s what they say in court when the judge enters.

Well, they do on TV.

You might, like many actors, ask what you can do to be a better actor when you’re not filming or in class.

Observing. That’s something.

Go to a …

The young actor asks the master coach if she has a trick that will make him a better Shakespeare actor.

She’s horrified. And rightly so.

‘No trick will make you a good actor. Only hard work will.’, she responds. Our young actor …

Does counting the number of words in your line and the number in the other character’s line help you learn the scene?

Part of the form of the scene.

Supporting the content.

Often the two lines are equal. Rhythmic …

There are as many levels of argument as there are human situations. Here are three common ones.

Passive-aggressive.

This common low-level argument form is frequent in relationship and sentimental …

Try and present your work.

A common trait today, once someone has achieved a certain position of power, is to learn how to hold on to it. That can include kicking down the ladder anyone trying to come up and sucking up to those above.

If you get desperate you may find yourself trying to …

Use this as a ‘like or as if’ when needed.

Playing to the lens in a commercial extolling a product the question can come up ‘Who am I talking to?’. Picking a real person you know, love and trust can assist you to make …

Say nothing is when you change your self-talk.

Your old narratives.

It’s a cousin to my ‘Do nothing’ program.

It’s essential for growth to look at your narratives.
You know, like the one you …

One of the five acting questions you ask is, ‘Where am I?’

What space are you in?

How to translate location or stage directions like – ‘She crosses the room.’ ‘She gets out of the car.’ ‘She runs out the door.’ – for an audition can be confusing.

Only use what’s indicated in the script that you like and helps you act. You don’t need to show …